Abuse of Power Reflected in the Politics and Drama of Ancient Greece Es

Individual Abuse of Power Reflected in the Politics and Drama of Ancient Greece The Greeks believed that too much power entrusted in one person was dangerous. They were the first democratic society in a tumultuous world of kings and emperors, and they were proud of their ideology. Considering their fervent belief in rule by many, its not surprising that many Greek dramas revolve around an individual hero or a king's fall from power because of pride or some other personality flaw. Well-known characters in some of the greatest Greek tragedians' plays illustrate this idea. In Aeschylus's Agamemnon, the title character is a returning king who behaves arrogantly and thoughtlessly. He is murdered by his wife and his kingdom falls apart. Sophocles's character Oedipus ends up killing his father, losing his kingdom and his wife and mother, and becoming a blind, wandering outcast for the rest of his life. Jason in Euripides's Medea deserts his family for a new marriage which he hopes will further his station, but his old wife kills his new wife and his children, ending hi s hopes for a shining future. The evolving theme of an individual's weakness and subsequent downfall supports the Greek's democratic system, where no individual becomes too powerful. Agamemnon is a great warrior, but not a great family man. On his way to the Trojan war, he sacrificed his daughter to the gods so that his ships would be able to arrive safely and swiftly. This is an especially rotten thing to do because the war is being waged to reclaim just one woman, Helen. It is hard to justify killing one’s own daughter so that somebody else can get his wife back. However, war is what he is good at, and if he didn’t sacrifice his daughter he would be letting down ... ...ach fall from their power into death or despair. They had become too powerful, too arrogant, and too ambitious, and so the gods cut them down. This pattern of kings falling from power because of weaknesses and character flaws is very common in Greek dramas. The Greeks were proud of their democratic system, and their dramas reflected their belief that their society, ruled jointly by representatives of the people, was best in a world full of unstable and dangerous monarchies. The gods despise men who rise too high and seek to become too great. So do the Greeks. Works Cited Aeschylus. Agamemnon. Greek Tragedy. Eds. A. Cook and E. Dolin. Dallas: Spring Publishing, Inc., 1992. Euripedes; Medea; Trans. Rex Warner. The Harcourt Brace Anthology of Drama: Third Edition. Orlando: Harcourt, 2000. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.